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case to case,
"indescribably monotonous
and unrenewed.
"It is shyness before any sort of new,
unforeseeable experience...
"with which one does not think
oneself able to cope.
"But only someone
who is ready for everything,
"who excludes nothing,
"not even the most
unenigmatical,
will live the relation
to another as something alive."
God, this is great.
This is great.
I am so glad that
you asked me
case youre wondering. Well continue to hear
Alexs VOICE as we move through the house in slow motion. Everything is
very bright and dreamlike.
Right now were moving with the camera, slowly moving down a long hallway.
At the end of the hallway is an open door.
We stop at the doorway. Were afraid to go in.
ALEX (V.O.)
Its strange. When the futures in front
of you, it seems to go on forever. I mean,
CASE
TCHK!! A dozen of the Judas roaches are released. They slide
through into the area.
THE NEARBY ROACHES
react instantaneously. In a rustle of tiny legs, they begin
to stream toward the Judases.
Jostle and fight each other for position to mate with them.
They even crawl over the Team Leader in an effort to reach
the Judases. The Team Leader makes no effort to brush them
off. Patient, almost go
1. Listening Comprehension
1~3) Listen to the following and answer the question.
Breaking a mirror brings bad luck for seven years. This dates back to times when it was believed our reflection was a representation of our souls. Damaging the reflection is damaging the soul. If we manage to break a mirror, there are remedies that will reverse the fortune of the damaged soul...(이하 지문
HUDSON HAWK
Screenplay by
Steven E. de Souza
Revisions by
Dan Waters
Based on an original idea by
Bruce Willis & Robert Kraft
A Silver Pictures/Flying Heart Films June 14, 1990
Production
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
FADE IN:
EXT. VINCI COUNTRYSIDE - RENAISSANCE - DAY
Beneath a jawdroppingly s
Meet The Parents Script
Look at the light coming out of the earth
Show me a man whos gentle and kind
And Ill show you a loser
Now show me a man who takes what he wants
Look at that boy sitting on the moon
Look how exciting
Look how exciting
So the poets say
When youre a fool in love
And nothing goes the way you plan
And no one cares and no one understands
That youre a fool and youre in love
Never
case at the end of the hall.
INT. BEDROOM - 1972 - NIGHT
The Boy enters, takes a few steps into the room and stops. He
stares ahead blankly.
HIS POV: WOMANS ARM - CLOSE SHOT
The arm hangs off the bed, blood flows out of a deep gash in
her wrist and pools on the floor. The CAMERA moves up the arm.
A WOMAN in her forties lays in bed. The blood flows from her
other wrist, soaking into the mattress.
Life Or Something Like It Script
Things happen.
Things you never see coming.
And you think afterward,
"If Id known this,
"would I have changed things?
"Would I have done more?
What would I be thinking?"
I need more time.
Hey, Pudge.
Stand by. Take - . Cue.
Standing by. Over the shoulder to - .
Yes, I know. They wont let you in.
They never want to let us in.
Just get in there as soon as possible.
A high AERIAL SHOT of the island features the Statue of Liberty prominently in the foreground then TRAVELS ACROSS the harbor, OVER the Battery and Lower Manhattan to Greenwich Village.
EXT. EAST 77TH STREET - DAY
A car is being hoisted up by a municipal tow truck while its owner is having a terrible screaming argument with a parking enforcement officer. DANA BARRETT comes home pushing a baby bugg